2015-2026 Fiction: 'Land of Light' : 'Imagine Africa 500' speculative fiction anthology (2015/2016) (Speculative Fiction). 8,000 words. Read more... (Malawi)/(UK reprint 2017) 'Veiled ': 2016 'Beneath This Skin' Edition of Aké Review (2016) (Fiction). 1,450 words. Read here... (Nigeria) 'Water' : 'The Short Story is Dead, Long Live the Short Story! Vol.2' anthology (2017) (Fiction). 3,100 words. Available on Amazon or Read Online (South Africa) 'Sub Migratio' : the debut edition of Enkare Review (2017) (Speculative Fiction). 3,500 words. Read here... (Kenya) 'Inktober' : 2018 edition of 'The Bloody Parchment' (2018) (SF/Horror). 1,250 words. Available on Amazon . (South Africa) 'The Girl with Two Bodies' : The Kalahari Review (Nov 2018) (Fantasy). 7,050 words. Read here... (South Africa) 'Journal of a DNA Pirate' : Volume 3 of 'AfroSF' (Dec 2018) (SF). 8,150 words. ...
It was a real pleasure to be able to create something unique for a friend and Sauúti Collective colleague – Cheryl Ntumy – for her new novella coming out with Atthis Arts press: a custom display typeface and title design. Design & Typography: Stephen Embleton, Illustration: Akintoba Kalejaye Find Atthis Arts here. A latinised version of the Adinkra alphabet from Ghana (because Cheryl is Ghanaian!), it has some fantastic characteristics and a very modular form which made it a fun, yet simple, design to work on. I first focused on the letters needed for Cheryl's book cover, and then fleshed out the other characters, as well as creating a "light" version. One happy accident for the cover design was incorporating the "working" components of each letter in the design itself. i.e. when I work on fonts, I find the common weights (stroke thicknesses) and common shapes, and move these around to exact positions. And by making them separate bright colours enables m...
I’m happy to announce I am being represented by the Elise Dillsworth Literary Agency, in particular for my current novel in progress (nearly there!). Having an agent who believes in my writing means a lot, and I’m grateful to Elise for the opportunity. 🙏🏼 We keep on writing!