#Inktober 2019

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#Inktober 2019


















Popular posts from this blog

Published Works

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2015-2024 Fiction: 'Land of Light' : 'Imagine Africa 500' speculative fiction anthology (2015/2016) (Speculative Fiction). 8,000 words. Read more...   (Malawi)/(UK reprint 2017) 'Veiled ':  2016 'Beneath This Skin' Edition of Aké Review (2016) (Fiction). 1,450 words.  Read here...   (Nigeria) 'Water' : 'The Short Story is Dead, Long Live the Short Story! Vol.2' anthology (2017) (Fiction). 3,100 words.  Available on Amazon  or Read Online (South Africa) 'Sub Migratio' : the debut edition of Enkare Review (2017) (Speculative Fiction). 3,500 words.  Read here...   (Kenya) 'Inktober' : 2018 edition of 'The Bloody Parchment' (2018) (SF/Horror). 1,250 words.  Available on Amazon .  (South Africa) 'The Girl with Two Bodies' : The Kalahari Review (Nov 2018) (Fantasy). 7,050 words.  Read here...  (South Africa) 'Journal of a DNA Pirate' : Volume 3 of 'AfroSF' (Dec 2018) (SF). 8,150 words.  ...
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Cover Illustration & Design – The Company of Birds

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I've loved birds since I was a kid, and this cover was an absolute pleasure to indulge in. Mirari Press had a long deadline, which gave me the time (and creative freedom) to experiment and add the detail I wanted to, giving this piece the TLC it so deserved. Buy Nerine Dorman's  "The Company of Birds"  here (coming soon). As always, Mirari Press gave an excellent brief, and with much needed background to the main character of Maga Liese ten Haven (and the variety of key bird species) from Nerine, the creative direction was clear in my mind: use a pencil crayon/chalk on paper (digital) technique with metal foiling for the Moon and Title script. This piece really took me back to my illustrating training in the early 90s, when most of our live figure drawings were using coloured pencils or chalk on coloured (not white) paper. The paper texture is vital to capture, as well as the nuances of the chalk smudges and fine line work. Digital is all well and good, but for me it...
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Royal Literary Fund Grant

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I am extremely grateful to say I have been awarded a grant by the Royal Literary Fund .  It’s not something I would have thought I would need, or even thought existed, if it weren’t for a Brittle Paper article in June . I am always grateful to Brittle Paper for everything they do for our literary community. The criteria for applying, the process and the care and sensitivity from the people involved is rather humbling as well as encouraging, given that the  literary merit of my body of work is thoroughly considered along with my financial circumstances. Financial circumstances being the main reason for the existence of the RLF since the 1700s.  Apart from having to be a British citizen, they had to read physical copies of two works published in the UK ( Soul Searching and Bones & Runes ). And it is encouraging to know that genre fiction is viewed as having literary merit. Also considered are any broader activities related to writing, from lecturing, public speak...
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