#Inktober 2019

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#Inktober 2019


















Popular posts from this blog

Published Works

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2015-2024 Fiction: 'Land of Light' : 'Imagine Africa 500' speculative fiction anthology (2015/2016) (Speculative Fiction). 8,000 words. Read more...   (Malawi)/(UK reprint 2017) 'Veiled ':  2016 'Beneath This Skin' Edition of Aké Review (2016) (Fiction). 1,450 words.  Read here...   (Nigeria) 'Water' : 'The Short Story is Dead, Long Live the Short Story! Vol.2' anthology (2017) (Fiction). 3,100 words.  Available on Amazon  or Read Online (South Africa) 'Sub Migratio' : the debut edition of Enkare Review (2017) (Speculative Fiction). 3,500 words.  Read here...   (Kenya) 'Inktober' : 2018 edition of 'The Bloody Parchment' (2018) (SF/Horror). 1,250 words.  Available on Amazon .  (South Africa) 'The Girl with Two Bodies' : The Kalahari Review (Nov 2018) (Fantasy). 7,050 words.  Read here...  (South Africa) 'Journal of a DNA Pirate' : Volume 3 of 'AfroSF' (Dec 2018) (SF). 8,150 words.  ...
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Adinkra Font & Book Title Design

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It was a real pleasure to be able to create something unique for a friend and Sauúti Collective colleague – Cheryl Ntumy – for her new novella coming out with Atthis Arts press: a custom display typeface and title design. Design & Typography: Stephen Embleton, Illustration: Akintoba Kalejaye Find Atthis Arts here. A latinised version of the Adinkra alphabet from Ghana (because Cheryl is Ghanaian!), it has some fantastic characteristics and a very modular form which made it a fun, yet simple, design to work on. I first focused on the letters needed for Cheryl's book cover, and then fleshed out the other characters, as well as creating a "light" version. One happy accident for the cover design was incorporating the "working" components of each letter in the design itself. i.e. when I work on fonts, I find the common weights (stroke thicknesses) and common shapes, and move these around to exact positions. And by making them separate bright colours enables m...
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Royal Literary Fund Grant

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I am extremely grateful to say I have been awarded a grant by the Royal Literary Fund .  It’s not something I would have thought I would need, or even thought existed, if it weren’t for a Brittle Paper article in June . I am always grateful to Brittle Paper for everything they do for our literary community. The criteria for applying, the process and the care and sensitivity from the people involved is rather humbling as well as encouraging, given that the  literary merit of my body of work is thoroughly considered along with my financial circumstances. Financial circumstances being the main reason for the existence of the RLF since the 1700s.  Apart from having to be a British citizen, they had to read physical copies of two works published in the UK ( Soul Searching and Bones & Runes ). And it is encouraging to know that genre fiction is viewed as having literary merit. Also considered are any broader activities related to writing, from lecturing, public speak...
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