Poems

 Selection of Stephen's Poems:



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Published Works

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2015-2024 Fiction: 'Land of Light' : 'Imagine Africa 500' speculative fiction anthology (2015/2016) (Speculative Fiction). 8,000 words. Read more...   (Malawi)/(UK reprint 2017) 'Veiled ':  2016 'Beneath This Skin' Edition of Aké Review (2016) (Fiction). 1,450 words.  Read here...   (Nigeria) 'Water' : 'The Short Story is Dead, Long Live the Short Story! Vol.2' anthology (2017) (Fiction). 3,100 words.  Available on Amazon  or Read Online (South Africa) 'Sub Migratio' : the debut edition of Enkare Review (2017) (Speculative Fiction). 3,500 words.  Read here...   (Kenya) 'Inktober' : 2018 edition of 'The Bloody Parchment' (2018) (SF/Horror). 1,250 words.  Available on Amazon .  (South Africa) 'The Girl with Two Bodies' : The Kalahari Review (Nov 2018) (Fantasy). 7,050 words.  Read here...  (South Africa) 'Journal of a DNA Pirate' : Volume 3 of 'AfroSF' (Dec 2018) (SF). 8,150 words.  ...
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Cover Illustration & Design – Waypoint Seven

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  Final Cover – Stephen Embleton 2024 It was a pleasure to create the cover for Sauúti colleague Xan van Rooyen's aetherpunk novella "Waypoint Seven" being published by the newly established Mirari Press in South Africa. It gave me the opportunity to explore my digital illustrating to the extreme by incorporating my design and drawing skills – and it would not be the same if I didn't have an understanding of how physical illustrations (brushwork, pencils, paints and textures) really look. It was daunting to start – particularly wanting to deliver Xan something that did their story justice – no pressure. But with Mirari Press' Marius du Plessis having a love and understanding of design, he gave me so much free reign to play. And with each of the phases below, he encouraged and gave feedback (mostly Wow! and keep going). This is very rare with clients. And it was with this collaboration that the illustration and design blossomed over ten days. GET YOUR COPY OF ...
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Royal Literary Fund Grant

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I am extremely grateful to say I have been awarded a grant by the Royal Literary Fund .  It’s not something I would have thought I would need, or even thought existed, if it weren’t for a Brittle Paper article in June . I am always grateful to Brittle Paper for everything they do for our literary community. The criteria for applying, the process and the care and sensitivity from the people involved is rather humbling as well as encouraging, given that the  literary merit of my body of work is thoroughly considered along with my financial circumstances. Financial circumstances being the main reason for the existence of the RLF since the 1700s.  Apart from having to be a British citizen, they had to read physical copies of two works published in the UK ( Soul Searching and Bones & Runes ). And it is encouraging to know that genre fiction is viewed as having literary merit. Also considered are any broader activities related to writing, from lecturing, public speak...
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