2015-2024 Fiction: 'Land of Light' : 'Imagine Africa 500' speculative fiction anthology (2015/2016) (Speculative Fiction). 8,000 words. Read more... (Malawi)/(UK reprint 2017) 'Veiled ': 2016 'Beneath This Skin' Edition of Aké Review (2016) (Fiction). 1,450 words. Read here... (Nigeria) 'Water' : 'The Short Story is Dead, Long Live the Short Story! Vol.2' anthology (2017) (Fiction). 3,100 words. Available on Amazon or Read Online (South Africa) 'Sub Migratio' : the debut edition of Enkare Review (2017) (Speculative Fiction). 3,500 words. Read here... (Kenya) 'Inktober' : 2018 edition of 'The Bloody Parchment' (2018) (SF/Horror). 1,250 words. Available on Amazon . (South Africa) 'The Girl with Two Bodies' : The Kalahari Review (Nov 2018) (Fantasy). 7,050 words. Read here... (South Africa) 'Journal of a DNA Pirate' : Volume 3 of 'AfroSF' (Dec 2018) (SF). 8,150 words. ...
NOMINATED: 2026 BSFA long list for Best Artwork ! 🙏🏼 I've loved birds since I was a kid, and this cover was an absolute pleasure to indulge in. Mirari Press had a long deadline, which gave me the time (and creative freedom) to experiment and add the detail I wanted to, giving this piece the TLC it so deserved. Buy Nerine Dorman's "The Company of Birds" here (coming soon). As always, Mirari Press gave an excellent brief, and with much needed background to the main character of Maga Liese ten Haven (and the variety of key bird species) from Nerine, the creative direction was clear in my mind: use a pencil crayon/chalk on paper (digital) technique with metal foiling for the Moon and Title script. This piece really took me back to my illustrating training in the early 90s, when most of our live figure drawings were using coloured pencils or chalk on coloured (not white) paper. The paper texture is vital to capture, as well as the nuances of the chalk smudges and fine...
The Nga'phandileh Whisperer Detail – Stephen Embleton 2025 NOMINATED: 2026 BSFA long list for Best Artwork ! 🙏🏼 Getting the opportunity to illustrate anything in our Sauúti shared world is a pleasure and honour. For Eugen Bacon's "The Nga'phandileh Whisperer" , I had the chance to represent the magic of our science fantasy world, experiment with the visual representation of the sound-based magic system (sound wave patterns) and the Afrocentric elements we all write about in our stories. I got to visualise an ominous moonlit scene alive with texture, colour and movement. African fabrics, beadwork and patterns are rich in inspiration, key elements I drew from to create a tactile illustration. From the central character's dress detail and jewellery, to the rough texture and subtle pattern of the paper background permeating all elements, for me, make it something you want to pick up and hold. Final Cover – Stars & Sabers – Stephen Embleton 2025 It star...